My hero!!

 

This afternoon, my sweet husband built a new workbench for me to use as an island in my studio. yay! Things are really starting to come together down at the Flux n' Pickle!

Made with My Cool Signs.Net

Twenty years ago today, our only child, Andrew, was born, and the world got a whole lot more wonderful. His prodigious gifts were apparent early on, and to this day we continue to marvel at the sweet equanimity with which he relates to the world. Happy Birthday, baby, and thank you for the best days of my life.

Journal Pages

i don't get to do a lot of this kind of work, but am beginning to see how it can be so compelling for a lot of artists. i could do this kind of thing all day, and i think one reason good reason to avoid it is because it scares me to see how deeply focused i become and how many hours can fly by while i cut eyeballs from the New York Times Sunday magazine section and every other magazine and circular i can get my hands on. i hope the recycling people don't look too closely at our old magazines. they would get very, very scared.

I am sooo glad I signed up for the Amulets and Talismans class with Robert Dancik that Alison Lee of Craftcast set up, sponsored by Whole Lotta Whimsey! Tonight's the last class and I'm sad already -- what an informative and generous instructor Robert is. The class format has been interesting too, with a ning group set up for the class members to share photos of their work and communicate about what they've learned. Cyberclasses are nothing new in the academic world, but in terms of an art class, this was my first experience and it worked out really well. Last Monday night, I was in the midst of working with a new realtor and keeping up with my son's comings and goings on his spring break home from college, so I was kind of distracted, but Alison graciously posts the recording of the class so we can catch up with anything we missed. I understand these recordings of all three classes will be available for sale sometime in the near future from the Craftcast website, and I recommend them to anyone who is interested in introducing narrative into their work.

The pieces I've created so far are not too different from my previous work, because I have never been able to get comfortable making work that is merely decorative. I want everything I make to call upon the power of the ancestors in some way, to evoke a feeling of spiritual blessing or protection in some way. Ancient-looking surfaces and the wabi-sabi look of wear and use have always compelled me much more than a highly-polished surface of sterling silver or gold, though the high degree of craftsmanship required to produce these surfaces is certainly worthy of the greatest respect. It's just not compelling to me personally in any kind of art, but specifically in jewelry, where I like to see evidence of the hand of the maker and to feel that there is a historic basis for the form.

In college, I majored in art history and minored in anthropology, and I have always been particularly interested in the material cultures of Asia and India. A few years ago I began to explore the idea that polymer clay could be manipulated to recreate the materials of the ancient amulets and talismans I found so fascinating. This interest escalated to an obsession after I made a strand of graduated amber beads following the color recipe in Polymer: The Chameleon Clay by Victoria Hughes. I had seen many examples of the real thing and had the opportunity to closely examine some in a friend's collection, and knew I would never be able to afford a strand of the real buttery gorgeous glowing real thing. The strand I made back then convinced me that polymer clay could be used to make a very convincing substitute, and I spent the better part of a year making jade, lapis, turquoise, and coral artifacts to populate my little museum of reproduction artifacts. With each successful reproduction, a little of my resistance to the idea that "it's only polymer clay" continued to fall. The techniques I had learned from books and developed on my own convinced me that polymer clay is nothing to apologize for and is a perfectly valid art material on its own. Soon an intense desire to add metal to the pieces drove me to learn basic silversmithing skills so I could set them in bezels. This particular Buddha is set in a fine silver and sterling bezel and represents the overcoming of my last reservation about this exciting medium which continues to challenge and stimulate me to this day.

Wonderful video!!

Love it!!

A talisman for spring to come -- a Green Man kind of figure, except she's female -- some sort of nature goddess, definitely -- surrounded by hydrangea blue glass crystals with magically matte but iridescent charlotte seed beads. Sterling wire, silver-plated antiqued bead caps.

Well, that's a start. I'm having the darnedest time writing descriptions of my jewelry for etsy; so I'm practicing here. Photographing the etched items is way beyond the limits of both me and my camera, so that's another challenge, but I'm determined to keep learning about this camera, because I'm sure the "right" setting is in there somewhere. Perhaps if I shake it really hard like an old Eight Ball toy, I'll get the answer I'm hoping for! (like "You totally deserve a new digital SLR!")

I'm taking Robert Dancik's Amulets and Talismans teleclass sponsored by Alison Lee of Craftcast, and it's been totally worthwhile so far! Not only is his work very sophisticated -- I can't wait for his book to come out -- but he is also a really good teacher, and you can tell he wants his students to go forth and do great things on their own.

Speaking of photographing jewelry, Jen Kahn's blog post from a few months ago still continues to inspire and inform me -- not that I've found all the perfect settings on my camera yet, but thanks to her, I'm feeling less inclined to "accidentally" drop it down the nearest storm drain. And speaking of hydrangeas, we're thinking ahead to our June/July visit to Cape May, which has to be the hydrangea capital of the world. Something about the soil or the seaside weather conditions combine and conspire to promote the most spectacular heavenly blues, and if that color has the same effect on you as it does on me, well, you should definitely plan a visit to the southernmost tip of New Jersey, which also offers jaw-dropping Victorian architecture, great beaches and an astronomically high concentration of excellent dining options. Oh, and a great bookstore, too. Just about all my favorite things in one place!

These etched earrings were really hard to photograph, and I just realized it took me longer to take the pictures than it did to make the earrings. Still, I could not resist adding the film grain, which seemed to suit their antique-lookingness. I'm listing them in my etsy shop this afternoon -- after I make another pot of tea.

I have about a million things to do this week, so it seems only logical that I should be overcome with the desire to start a new series of paintings I'm calling Mudra. I have always been just about equally fascinated with all world religions, because I'm going with the theory that I need all the help I can get!

You just can't beat winter in New England.

Connections.

Etched pendants and wired chains waiting to be connected to each other.

Yesterday was blessed Inauguration Day. I spent the day right here in my own nest, wiring beads, polishing pendants, and just being so very grateful for this new beginning. The world seems like a warmer and more luminous place now, despite winter's cold, and it's going to be an exciting year as we watch the positive changes that are going to come from this new day!

Behold the Tiny Bezel from Hell

Whew. I would have had better luck at the gaming tables of Foxwoods than I had today at the soldering station, but no matter. It felt so good when I stopped.

This is the tiniest bezel I've tried so far, and it didn't come out too badly...after the third try. This exercise did serve to allow me to test something I've been curious about, which is the durability of the etching after numerous run-ins with a hot torch and some wicked pickle. The backplate here is brass, and it seems to have held up well, so now I won't be afraid to push my luck on second and third tries if soldering problems present themselves again, which could happen at any time. Either the soldering gods are with you on a given day, or they are not, but sometimes, if you are otherwise out of work and either patient or stubborn like I am, they come around eventually.

Happy New Year!!

I'm not much for New Year's resolutions, but I really do mean to post to this poor neglected blog more often in 2009.

We never go anywhere on New Year's Eve, and last night we had a good excuse with the snowstorm and all. I took the opportunity to go downstairs and do some serious hammering, sawing, etching, and bezel-ing, and here's the result -- an etched silver cross with a green turquoise oval bezel set in fine silver. Exhausted from my efforts -- I've got another really bad cold -- I retreated early to bed with my laptop and a stack of art books, and took advantage of the holiday free shipping sale at Thunderbird Supply, placing orders for more silver and definitely more turquoise cabochons. It's been a wonderful holiday season, but I'm really okay with it coming to an end so we can move on to all the good things 2009 will surely bring.

Obsessed with Etching

Etched German silver cross with labradorite rondelles, jade, rhinestone rondelles, and Czech fire-polished beads. Sterling and steel wire. When I first learned how to use a jeweler's saw, from my wonderful teacher Kelly Conroy at the Worcester Center for Crafts, this archetypal Southwestern cross shape seemed like an easy one to practice on. But when I started applying the etching techniques I'd picked up over the summer to my growing heap of crosses, well, somehow the whole became greater than the sum of its parts. Photos can't pick up the rich play of shine and darkness this mysterious process lends to the surface, but I'll post 'em anyway!

And speaking of October...

Here's a little peek at what I've been up to lately down at the Flux 'n Pickle, the drafty but functional jewelry studio my sweet husband has rigged up for me in our unfinished basement. Faceted carnelian rondelles, steel and sterling wire, vintage Czech glass seed beeds, and a drop of jasper surround this bezel I made of brass and silver to frame a tiny New England landscape I painted en plein air this past summer at the Cape. I'm re-launching my etsy shop this weekend, or as soon as I can stop fiddling around with different banner designs! stay tuned!

Not a Ghost

Alright, well, it's not a ghostly apparition, which might have been more suitable for an almost-Halloween post which attempts to bring this languishing blog back from the dead. It's the sunlight pouring through the stained glass door to my office. Today was the first time the colors and the camera were in the same place at the same time.

A poem I just wrote about not writing a poem

Could I But Die a Thousand Deaths

(An epic poem waiting to be written

one line at a time,

in the space between the washer and the dryer

in the crack between the counter and the stove

in the gap where the cabinet doors don’t

hang straight

Between the ring and the recorded call.)

For quality assurance purposes, this poem is being monitored.

This helpless poem must be written against its will.

This poem will have to phone itself in — sick,

Or just stay on the line and wait to be written.

There are three poems ahead of it, but it can be assured that it will be the next to be served.

This poem is important to me.

I appreciate its patience.

Grafton Flea Market

Wow, am I ever glad my husband reminded me Sunday morning that the Grafton Flea Market was up and running. We figured we'd better check it out, and it was well worth the trip -- not that it's very far. And to think I might have stayed home in my pajamas watching cartoons when these 600 vintage rhinestone rondelles were there waiting for me, or these gorgeous blue-green-purple freshwater pearls strung with 28 faceted aqua briolettes. (Snippity snip.) Along with the usual vendors of tube socks and colorful plastic household goods, there's also an astonishingly well-stocked model shop inside the flea market building, and I got all kinds of goodies for jewelry making in there -- not all of it pictured here. The owner is very knowledgeable and helpful, and I'll definitely be a regular customer there. He's got everything, and I want it all!